This is Module 9 of 9 of Friedemann Tischmeyer’s Internal Mixing program.
In this final module, you will learn how to edit and treat individual instruments such as bass and vocals, in order to improve your mixing skills and therefore the overall quality of your mixes. Achieving a clear and warm bass sound is a key aspect to a coherent and successful mix. As for the vocals, they are very often the center of attention in a song, and it's very important to give them the space and definition that they need.
Here are some of the topics dealt with in the vocal section: EQing on vocals, de-essing, compression, reverb & delay, aligning different takes, editing breathers, editing loose syllable endings in choirs, dealing with proximity effect
Bass chapters deal with EQing, compression, note length, placement in the mix and volume overhead.
4.4
61 reviews
Bertrand •Wednesday, March 27, 2024
La vidéo est un peu datée et le gars n'a pas le charisme de Fab mais c'est une mine d'infos intéressantes et les exemples sont très bien choisis.
Pato93m •Monday, February 19, 2024
Very informative. Directly to the bone
antoniadis.g •Wednesday, July 19, 2023
Camundongo •Sunday, October 2, 2022
Hello
would it be possible to have subtitles in french, spanish or portuguese?
Thank you so much
Axier •Thursday, August 11, 2022
For when subtitles in Spanish?, thanks
a
antoinebunel •Monday, May 2, 2022
I'd like confirmation / explanation as to why it wouldn't be recommended to automate the master output for a track fade-out?
It's what I've been doing as it's practical and I don't see how the resulting output file would differ?
jnoguera12 •Tuesday, September 28, 2021
Please, we need subtitles in Spanish.
g
greenmx •Wednesday, June 16, 2021
One slightly confusing thing here is in video 4 where he's talking about adding lo cuts to all tracks to clean things up, he says about the 0-25 Hz range, "for all practical purposes there are now musical sound events in this range." But in this video, discussing bass he warns about using lo-cut filters on bass tracks that are not steep enough and might dampen desirable low frequency content from 32 Hz downwards. I'm not totally sure what the recommendation is w.r.t. lo cuts on bass tracks.
Naptuning •Friday, March 19, 2021
For anyone wondering if this is worth a watch in 2021, especially if you work in a diff DAW, the answer is absolutely. Golden advices on fundamental principles from beginning to end! So glad pureMix is hosting this and applause all day to Mr. Tischmeyer for his work.
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garycowling •Saturday, January 4, 2020
Terrific, very informative and full of useful stuff.
bassmothership •Friday, October 11, 2019
I give this a 99 out of 100.
It's not entertaining or comic like Fab stuff, rather boring. But very focused and straight to the point with no distractions.
There's too distraction and gimmicks added to almost every free or paid tutorials out there, but not this one.
I watched very slowly, made lots of annotations and implemented stuff I haven't done before.
Only downside is his screen not being showed flat and clear. Sometimes it's hard to see his settings and what exactly he's doing with the fx chains, sends and returns, etc. But that's all. These videos are dated so it's understandable.
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Ematrix65 •Friday, September 13, 2019
Someone can translate it in Italian?
lafogle •Sunday, March 31, 2019
Wonderful. Very clear and to the point with some unique ways of looking at perception.
ombor10 •Sunday, October 28, 2018
Friedemann T gives vital information with a systematic and high yield approach, these Internal Mixing modules are definitely a Must, thank Q for including them for Premix members.
